Summer Scrapbook 2010 Pt. I: BSG Symphony in Spain
Welcome to the first in my three part “Summer Scrapbook 2010″ blog entry series. I intended to summarize the past few months in only one blog entry, but I realized that so much had happened to me recently I couldn’t possibly fit it all into one blog: I had my first experience conducting an international symphonic orchestra, premiering my first hour-long concert work in Spain. I crashed Comic Con, and started an epic new season of Eureka. I scored the season finale of Caprica, began two new TV series and a top-secret videogame. My first studio feature film hit theaters. I began work on an exciting new heavy metal horror film. I was nominated for my first Emmy, for my work on Human Target, a show for which I just produced a massive four-hour soundtrack album. I got married and moved into a new house, and began construction on a new studio…. whew! I’m getting exhausted just listing it all.
This first blog entry will focus on just one of those adventures: my trip to the Canary Islands for the world premiere performance of the Battlestar Galactica Symphony, as part of the renowned Fimucite Film Music Festival in Tenerife, Spain.
The symphony was a unique performance, because it represented the first complete performance of my BSG score. Previous concerts have either focused on the small ensemble / folk / ethnic / rock aspects of the score, or on the large symphonic elements. The concert in Tenerife was the first to combine them all. The audience that night experienced all the various musical flavors of the BSG universe under one roof. It also meant I was dropped into the center of the largest ensemble I’ve ever conducted at a single time: over 160 musicians.
In order to pull this off, it was necessary for the Fimucite producers to bring my entire ensemble overseas. I told them that no performance of BSG music would be complete without my key soloists and, thankfully, they agreed. So, I brought with me Steve Bartek (guitars), Brendan McCreary (vocals / guitars), Raya Yarbrough (vocals), Chris Bleth (ethnic woodwinds), Paul Cartwright (violin) and M.B. Gordy (percussion). I also brought my mom, but she doesn’t play taiko drums or anything. :)
After a grueling 24 hour journey, we had a momentary scare as all of Chris’ duduks and bansuris had been lost by Iberia Airlines. My mind was already racing to figure out where one could find these rare Armenian and Japanese instruments on an island off the African coast. However, after a day or two, the luggage finally showed up and the show could go on.
(Photo: David Olivera)
I had a day to collect myself and then began four straight days of non stop rehearsals. The schedule was pretty grueling, since I had panels and press interviews to do between the rehearsals. The lure of having leisure time in Tenerife turned out to be a fantasy. But, I was happy to do it, since I’m the most content when there’s a monumental task on my plate.
(photo: Raya Yarbrough)
The musicians in Tenerife were fun to work with. The language barrier took a moment for me to overcome, since I don’t speak Spanish. However, I found I could articulate most of what I wanted through gestures while conducting and didn’t need many words to communicate what I needed.
M.B. Gordy plays a rippin’ dumbek solo on “Baltar’s Dream” in rehearsal. (Photo: Raya Yarbrough)
Raya Yarbrough sings “A Distant Sadness” in rehearsal. (Photo: David Olivera)
The orchestra and rock band in rehearsal. (Photo: David Olivera)
When I saw the exterior of the Tenerife Auditorium I suspected that it was, in fact, a Cylon Baseship. However, once I saw the inside… I was sure that it must be! The modern white and mechanical grey design just needed an oscillating red LED light going back and forth across the front to complete the look. It was the perfect place to premiere the Battlestar Galactica Symphony.
“By Your Command!” (Photo: M.B. Gordy)
(Photo: Tino Krist)
During the rehearsal process, I also took part in several panels. The Thursday panel was a joint one with composer Bruno Coulais, whose work was sharing the bill with my BSG compositions. The panel was a bit slow, since our answers had to be translated back into multiple languages, however it was a great opportunity to learn about Coulais and his process. While I was aware of his seminal work on Microcosmos, I was first introduced to his unique melodic and orchestrational sensibilities with Coraline, as that was the film that made him known to American audiences. Spending time with him and talking music with someone so experienced was one of the highlights of the whole trip for me. He is a wonderful composer and a truly delightful guy.
(Photo: Francisco Mesa)
The second panel, on the day of the show, focused solely on BSG. While I have done many such panels over the years, this was the first where performers also took part. Steve, Brendan and Raya offered their candid memories of what the show meant to them. I hope that the small and eager audience appreciated how rare this opportunity was to hear from these remarkable musicians, who are also my family. They were incredibly honest about what the show and working with me means to them, offering insights to the crowd that were new even to me.
The panels were also a great opportunity to meet some of the fans who came out to Tenerife for the show. I knew the concert would be a crazy event, so I was glad that the panels (which were also crazy, just not quite as much so) allowed for a few minutes to catch up with some of you guys.
(Photo: Raya Yarbrough)
What’s amazing is that I’m beginning to see familiar faces at concerts performed on different continents!
(Photo: Tino Krist)
At the last panel, which took place literally a few hours before showtime, some fans (I’m looking at you, Elin!) asked us directly if we were planning an encore. If you’ve never been to one of my shows, then you may not know there’s a growing tradition here. At the end of the concert, fans chant “So Say We All!” at the top of their lungs and then we come out and kick ass on a few more songs. The instant they asked me this I realized what a mistake I’d made: I never planned for an encore! With all the travel and orchestration preparations, somehow this little detail slipped my mind.
Brendan and I confessed that, no, there would be no encore no matter how loudly they chanted. But, it seemed as though no one believed us, as if they thought we were merely being coy and keeping the encore a secret. I brushed it off and figured fans would be happy even without the encore. Still, it chewed at the back of my mind for the rest of the day.
Conducting soundcheck on the day of the show. (Photo: David Olivera)
M.B.’s percussion set up included (L-R): shime daiko, nagado daiko, tabla, Tibetan bowls, snare drum and cymbals. (Photo: M.B. Gordy)
L-R: Antonio Fernández, choir master Cristina Farrais & Marta Bello – the remarkable trio of singers who joined Raya to perform the complex harmonies of “Cult of Baltar” and “Apocalypse.” (Photo: Raya Yarbrough)
Final soundcheck before the show. (Photo: David Olivera)
As if the day of the show weren’t exciting enough, it was also when I found out I’d been nominated for my first Emmy, for the Main Title Theme to Human Target. Everyone began complementing me on the honor, and all I could think about was just getting ready for the show!
While the final soundcheck was happening, and a large crowd was already gathered outside the hall, I struggled to make use of my nervous energy. So, I made stupid faces in the background of Raya’s shots in her dressing room.
Her “Goddess of Kobol” dress (that’s not really what it is, but that’s what I always call it) looked awesome. It certainly got the attention of the audience when she walked out in front of the orchestral musicians, who formed a contrasting backdrop of formal black attire.
(Photo: David Olivera)
At long last, the concert began. I walked out, took up the baton and began conducting.
(Photo: David Olivera)
The first movement was “A Distant Sadness,” which opens with a huge clustered swell from the entire ensemble. I raised my arms to cue the crescendo and felt like I might be blown over by the blasting chord all around me. It was truly an exhilerating experience.
(Photo: David Olivera)
Though we’d already done several rehearsals, I was still stunned by the sheer size of the sound. The amplified rock band and soloists only enticed the orchestra and choir to up their dynamics further, filling the hall with an ocean of sound.
(Photo: David Olivera)
After the peak of the swell, Raya took the stage and began to sing those lyrics I’ve heard her perform at many different venues now. However, I don’t know if she’s ever sounded as incredible as she did here in this gorgeous hall, with a full symphony orchestra behind her.
Paul Cartwright & Chris Bleth solo in “Baltar’s Dream.” (Photo: ??, leave a comment, I want to credit you!)
The audience response at the end of each piece was absolutely thunderous. In particular, “Prelude to War” really brought down the house. Hearing those familiar taiko beats that close that piece followed by a wave of screaming BSG fans is a moment I will never forget.
However, I had to resist the temptation to bounce around, scream and jump like I do at our smaller rock club performances. I had to be a nice, formal symphonic conductor. So, despite the energetic screams from the house, I never put down my baton or turned around. I kept my focus solely on the orchestra until the very end.
Steve Bartek solos during “Apocalypse.” (Photo: Tino Krist)
(Photo: David Olivera)
I found myself in the middle of the ensemble, which is an odd place for a conductor. The choir and orchestra were in front of me, but the rock band and soloists were behind me. This meant that the audience had a nice view of them, but I couldn’t see them at all. So, I had to constantly turn my head to give them cues and tempos.
Brendan plays rhythm guitar on “Apocalypse,” one of several cues that required multiple drop-tunings for the guitarists. (Photo: Tino Krist)
The Battlestar Galactica Symphony was orchestrated and adapted by my mentor James Hopkins and frequent orchestrator Ed Trybek. Together they were able to translate my hybrid rock / orchestral / ethnic / synth / choral scores that were produced through many layers of overdubbed recording sessions into a single piece that could be performed in concert. While I spent many weeks working with them, perfecting the complex and layered contrapuntal lines, I somehow suspected that the piece that would be the most effective would be the one that is the most simple: “Apocalypse.”
Raya sang lead vocals on “Apocalypse,” accompanied by the vocal trio. (Photo: ??)
In this piece, the orchestra and rock band both combined to play the simple, heavy-metal-inspired riff. The resultant sound of 160 musicians pounding away at this bass line was overwhelming. I thought we might shake the concert hall to its foundation. I knew were doing something right when I observed members of the choir (who weren’t even singing on this tune) unable to stop themselves from dancing on the stage, with huge smiles on their faces.
(Photo: Pedro J. Mérida)
The movements of the Battlestar Galactica Symphony are:
I. A Distant Sadness
II. Prelude to War
III. Passacaglia
IV. Cult of Baltar
V. Baltar’s Dream
VI. Among the Ruins
VII. The Signal
VIII. Apocalypse
IX. Wander My Friends
X. Kara’s Coordinates
XI. Diaspora Oratorio
XII. The Shape of Things to Come
Some of the movements were little suites in themselves. For example, “Wander My Friends” is not simply the track from the Season 1 album, but is a newly composed suite of “Wander My Friends,” “Roslin and Adama,” “Admiral and Commander” and “So Much Life.” I wanted to write the ultimate combination of the Adama Family Theme and Roslin and Adama Theme. Another example, “The Shape of Things to Come,” began as the track from Season 1 but ended with the finale from Season 4′s “An Easterly View,” providing an appropriately bombastic finale.
All of the movements sounded great, but I was not prepared for how incredible “Diaspora Oratorio” would turn out. The singers of Tenerife really impressed me with their mastery of this piece, which is not an easy one to learn. Hearing them for the first time in rehearsal, I found myself tearing up. I had struggled for a long time to compose this work, and this concert made me realize that I’d written something unique, something that I may never top for a long time. It was as if I were hearing it for the first time.
Paul Cartwright performed a blistering, improvised cadenza on “Kara’s Coordinates.” (Photo: Tino Krist)
(Photo: David Olivera)
The hour flew by and, before I knew it, the ending strains of “The Shape of Things to Come” were echoing away into a wall of applause and screams. Finally, I turned around and took my bow, facing the audience for the first time since before I picked up the baton.
(Photo: Tino Krist)
Festival music director and conductor Diego Navarro joined me on stage and we took our bows. However, the BSG musicians weren’t finished yet! Thanks to those persistent fans at the panel a few hours earlier, we decided to do an encore. Earlier in the evening, while I was getting ready to conduct, Brendan and Steve Bartek led our Spanish bassist and drummer in a last-minute green room rehearsal of my arrangement of “All Along the Watchtower.”
(Photo: Pedro J. Mérida)
The orchestra cleared the stage, leaving only the rock band. I suspect that fans out there who’d been to our smaller rock-venue shows could guess what was coming next, but many others probably could not. However, once Brendan started the signature Middle Eastern guitar riff that introduces the song, everyone cheered.
(Photo: Tino Krist)
Free of the constraints of conducting a massive orchestra, I was able to finally face the audience and have a little more fun on stage. We all momentarily forgot we were wearing formal clothes in a symphonic concert hall, and gave a rock performance as if we were back at the Roxy or House of Blues in California. I love making music with the orchestra, but there’s nothing like jamming with the band, and I was glad that the European audience could get a taste of what the heavier rock shows are like.
Brendan sings “All Along the Watchtower.” (Photo: Tino Krist)
Our friend Yas snuck a little video of “Watchtower” and posted it to YouTube. The audio quality isn’t great, but you can certainly get the idea. :)
(Photo: Tino Krist)
(Photo: David Olivera)
At the end of the night, I thanked the audience and the orchestra. After being on stage for an hour, that moment was literally the first chance I had to look out at the audience and see them. I could feel their energy the whole night, but I had my back to them the whole time, so it was nice to finally see everyone there.
We retreated backstage, and celebrated a triumphant performance.
(L-R: Brendan McCreary, Cristina Farrais, Paul Cartwright, Steve Bartek, Raya Yarbrough, Bear McCreary, M.B. Gordy, Chris Bleth, festival producer Pedro J. Mérida, Bruno Coulais, festival music director Diego Navarro)
(M.B. Gordy and the percussion section)
I didn’t have the energy to properly thank them at the time, so I will do so now. Thanks are due to the Fimucite organizers, staff and volunteers for a remarkable concert and trip. However, without the passion and energy of Pedro and Diego, none of this would have been possible.
Now I know what most of you are thinking: was this recorded or filmed? The answer to both is YES. The Fimucite guys are editing and mixing already, so I’m hopeful that there will be some sort of release in the future of this concert footage and audio. Keep checking back here for details, and make some noise on the forums. Let’s make sure Fimucite and NBC Universal know how much you want to see this concert video. :)
* * *
The week was a very exhausting one, but incredibly rewarding. I never really recovered from jetlag and had rehearsals, interviews and panels to do every day. However, I still took as many chances as I could to roam the streets of Tenerife and soak up some Spanish culture. It was quite a change from the hurried and busy life of Los Angeles that I’m used to. The afternoon siesta is a serious thing over there. Between 3 and 5, stores and restaurants shut down; it becomes like a ghost town. And meals were never less than three hours long, even if you said you were in a hurry. Riding as a passenger in a car is a bit more adrenaline-inducing. If you eat meat (especially pork) you can eat anywhere, but if you’re a vegetarian, restaurants can be a little difficult; salads listed as vegetarian still included ham and bacon!
Another oddity that struck me was a curiously racially insensitive brand of tea. Europeans, maybe you can explain to me how or why something like this is acceptable? We were stunned and thought it was a joke (especially because ordered a “black tea” and thought the waiters were having a laugh). We saw it in a few places and realized that it’s a common brand there. Come on, Spain! Time to advance your teabags out of the 1920′s! :)
On our last full day there, a bunch of the band went up and saw the volcano. I didn’t get to go because I was so drained from the previous week I could barely move. But, they took some awesome photos:
When I first saw this, I thought it was an ocean coastline. Then, I realized it was CLOUDS!
(L-R: drummer Siddhartha Dorta, Steve, M.B., Paul, bassist Javier Martín, Chris and Brendan)
Raya made a new friend at a cafe.
By far the most memorable night was the evening when Spain won the World Cup Semi-Final. The streets were a party the likes of which I’d never seen. The cacophonous wail of countless vuvuzelas filled the city blocks. We bought a Spanish flag and waved it around. Then, I realized I should try to blend in with the natives, so I tied it around my neck like a cape, and ran through the streets screaming “España!” at the top of my lungs. Everyone thought I was a local. :)
World Cup fever was at its peak as we were traveling home on Sunday. We were literally in the air as Spain played for the title against the Netherlands. I feared that meant we would miss all the drama of the match. However, some fierce competitive spirit kept us entertained on the flight. First, some Netherlands fans hung up their flag from their overhead compartment. Soon, the Spaniards became agitated and started hanging their own flags all around them. This kept up for about an hour, until finally some American guy went right up to the front of the cabin and hung up an American flag across the walkway.
This got a big laugh from everyone on board. And, of course, when the pilot announced Spain’s victory, the plane erupted into cheers.
I arrived home from Spain exhausted, but thrilled at having experienced something truly remarkable. But, I had no time to relax, for there were two more major events right around the corner.
Check back tomorrow for Part II of my “Summer Scrapbook:” Comic Con.
So Say We All!
-Bear
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44 Responses to “Summer Scrapbook 2010 Pt. I: BSG Symphony in Spain”
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“(Photo: ?? Leave a comment, I want to credit you!)”. It’s me, Francisco Mesa. Thanks! I loved the concert. It was amazing. I live in Tenerife and didnt listen anything like that in “the cylon base” ;-).
I missed some merchandising (like your music). I wanted to have a record signed by you (and/or your team) and that was an unique opportunity in my life to get it. I listen it sometimes in the car and use it in ringphones (well, maybe you didnt like it… but I love your music).
PD1: The Teide’s volcano has that sea of clouds that you see.
PD2: Yes. Carioca coffe is a regional brand. I think the people see the manufacturer in that logo.
PD3: I think that many people want a BSG Symphony in their countries.
PD4: Again, thanks!
Hi Bear,
Thanks for the great summary. You just made my day and I can’t get the smile of my face, remembering again the fantastic time we had on Tenerife.
Regarding the video of the concert, I think I have good news. If I got Diego Navarro right on the pin board of the fimucite facebook page at http://www.facebook.com/group.php?gid=103391136648#!/group.php?gid=103391136648&v=wall , then there will be a TV and internet streaming of parts of the concert on Friday the 17th. (I don’t speak Spanish, but I hope I got the google translation right :-)
Nevertheless I hope there will be a DVD release in the near future.
So say we all
Dominik
HOLY FRAK !!!, reading all of that kind of made me feel like I was there in Spain too..and almost made me exhausted !!..LMAO..Sounds like everyone had the time of their lives. Congratulations to Bear and Raya on their marriage, although I didn’t think it would be this soon. Seems like you kept the details(date, location) a well guarded secret..and that was probably a good idea. Sometimes the press can really frak things up for the people in Hollywood, LA when they try to “cover” the so called story/a wedding..etc.
That plane sure doesn’t look to roomy. That’s funny about the guy with the American flag going to the front..lol..
Bear, I know you’re still probably tired from that and readjusting to L.A. life so I won’t beat you up to badly on this next part..I found a typo..uhh oh…he he..
in this paragraph, first sentence..”On our last full day there, a bunch of the band “when” up and saw the volcano.
guessing should be ” went ” up to the volcano..anyway, just something I notice..now that’ll cost ya my friend..free dvd of this concert..LMFrakinAO..
Maybe I didn’t see the right part here on your blog about this concert because I don’t remember frak about a concert in Tenerife, Spain. I remember seeing something about ” Fimucite 2010 “..is that the same one ?
That symphony hall was just drop dead ass kicking frakkin gorgeous !!!!..I think you should have had that cylon red light installed somewhere in the back of the concert hall and turned it on for 1 of the songs..or the encore..he he..imagine this big 20 foot long red lcd (or something) pulsing in the dark. And no one would have ever suspected it..he he..
As far as “making some noise” for the dvd..?, ok..Hey..!! Fimucite and NBC Universal…get off your frakkin butts and start making these dvd’s for us !!..on the double !!!…right frakkin now (please..he he)..
My personal thanks to everyone one of those musicians and staff that helped make this happen. I’m just sorry that I wasn’t able to attend.
Looking forward to reading about ComiCon. Have you ever attended the one in New York or just the one in San Diego ?
So Say We All !!
#2 DeaRe I can record it in DVB.
The show will be 17h, 22:00-22:15 local hour (check in http://www.worldtimeserver.com/current_time_in_ES2.aspx ). Remember that there are two concerts.
Streaming in Canal Internacional. Maybe here (I dont have plugin in Chrome) http://www.tvporinternet.tv/es/antena-3-internacional
thanks for the recap Bear. I would have loved to have been there.
“The first movement was “A Distant Sadness,” which opens with a huge clustered swell from the entire ensemble. I raised my arms to cue the crescendo and felt like I might be blown over by the blasting chord all around me. It was truly an exhilerating experience.”
As an attendee of the first LA Roxy show, after I read this I got goosebumps!
Sounds like everyone had a great time. Can’t wait to hear about more of these concerts.
Quick side note: the EMP up here in Seattle is having
“Battlestar Galactica
Organized by EMP|SFM, the exhibition features three stunning, full-size prop spaceships, iconic costumes, new exhibition films, music and other props from the original and re-imagined series.”
I hope someone has contacted you, and even better hopefully some talk of a panel or maybe a concert?
dave
CFPrez
franciscomesa…
I’m glad you identified your work! I found those pictures online somewhere and wanted to credit you. You got some great shots. Thanks!
Dave CFPrez… “I hope someone has contacted you, and even better hopefully some talk of a panel or maybe a concert?”
Yes, I’m actively involved in the EMP|SFM event. I don’t have plans yet to be there or do a concert, but I’m hoping both will happen at some point during the exhibition. Either way, the BSG score will be well-represented at the event.
Harrison5…
Thanks for catching that typo. I corrected it. :)
-Bear
To Fimucite and NBC: [Jedi Mind Trick]Recordings of this concert you want to release. Money from many people you are going to get. Releasing those records both audio and video on iTunes you are going to do. Fast this will be done.[/Jedi Mind Trick]
^^^ I 2nd the Jedi Mind Trick, except I’d rather nudge for a blu-ray release, haha.
A very cool and exciting (even after the fact) scrapbook… and although I’ve only recently even learned about Knights of Badassdom, I’m REALLY looking forward to any excuse you have to incorporate more metal into your work, hehe.
I just wanted to say that I really, really, REALLY need to hear this symphony, preferably in the states. I have no objection to going to Spain, but apparently my wallet does.
Seriously, you’re an incredible composer. It’s been years since a score has made me feel the way yours does.
Bear,long time reader first time writer.
I just wante to raise a few crucial points.
First of all-you are an amazlingly talented composer.Your work on BSG and Human Target is inspiring for those who love classical modern scores.
I absolutely love your taiko & ethnic percussion cues.Heck-I like every cue.
Yonks ago you said that BSG seasons 1-4 would be on itunes.
In Australia,there is no sign of you.
BSG or Eureka or indeed Caprica there is no sign of.
However TSCC and Rest Stop 2 are there !
But the Dark Void score is there.
The artist is Bear McGreary.
*EPIC FAIL*
I am really looking forward to the awesome four hour Human Target soundtrack as well as the inveitably cool SOCOM 4 ost,Walking Dead ost and Caprica season one disc.
Next time when you see El Honcho OST Grandes at NBC Universal,can you please mention the lack of Bear BSG goodness.
Thanks,
Alex.
Ditto to seannyboy06… the only thing that has kept me from coming to hear you is my bank account. And those darned student loans from college.
Sounds like an amazing time in Spain… REALLY need to see that video! Really curious about how you orchestrated these. I was actually reading about Apocalypse and thinking “Hmmm, I wonder if he orchestrated it for the full orchestra” and you did answer that question. That must have been incredible.
I may have an opportunity to have my arrangements of your music played, and although I orchestrated Kara’s Coordinates for traditional orchestra (and tried to write out the Paul Cartwright’s electric violin solo to be played by the full section of violins) I am going to poke and see if I can actually get an electric violin. That would rock. Also going to attempt to get some bagpipes and if I can convince them, double the parts that were originally written for rock band with the actual parts.
I’m thinking: Blu-ray combo release of Tenerife/House of Blues concert footage. Who here would spring for that?
Well, I’m thinking if it’s released it will probably be by Tenerife alone since I bet they have rights to the footage.
Probably, but we can always hope. Wonder what happened to the HOB footage? I wants it.
Wish I could have been there so bad! Looks like you guys did an amazing job, and I can’t wait to get a listen to what it was like! Really hope we get a proper DVD out of this! :) Excellent job with your selections for the symphony, Bear! Glad you finally got a chance to write this out. I’ve been dying to know how it went. Now?.. well.. now i’m just really damn jealous of those who could make it! ;p
Dear Bear,
I feel a sense of accomplishment: I made it into one of your blog entries. Wow. :-)
To be quite honest. I did believe you when you said that your hadn’t planned an encore. I was just in disbelieve of the fact that you could have forgotten such an important part of the show :-)))).
And part of my fighting spirit came from first talking to Brendan, who basically gave it a spin in which he said that ‘symphonic orchestra’s don’t do encores’. I have been to enough classical concerts to know that is definitely not the case.
That was not an argument that I found acceptable.
Not having planned an encore, or not having time to rehearse one however, I could have accepted. And yes, I would have been very happy just with the fabulous 1 hour symphony (and the lap dance that Brendan had promised me :-) ).
But I am very happy that you obviously had a pretty good Spanish drummer (and obviously a quick study) so that we did get that kickass version of All Along the Watchtower.
About the panel I did get a very intense and honest feel from the panel I was able to attend (the second one). It was great to hear from your musicians and how they feel pushed by you and themselves to excel in what they do and exceed their own (imagined or real) limitations.
It was as if we were being taken along on the journey of making BSG music, for a minute there we were part of the family…
The time together might have been short, but it was intense and genuine, giving the possibility to connect.
And as you said, not all communication needed to be done with words. Sometimes a look, a gesture or a piece of music was all what was needed.
Sending all of you a sweet hug from across the Atlantic,
Elin
PS: Yes, a distant sadness was an overwhelming beginning. The way the music swelled and swelled and kept getting louder, intenser and more badass… Maxime and I just exchanged a glance at that point, and we knew: “Boy, are we going to be in for a ride” and then Raya started singing and all thoughts left my mind and I was floating on a sea of emotions.
Bear, that sounds amazing! Can’t wait for the recording of it!
I just saw a beautiful video of a series of time-lapses of the night sky in the Canaries: http://www.youtube.com/watch?v=rOTA2zZihUI
Also, that reminded me of a great time-lapse of a lunar eclipse from Mauna Kea, Hawaii that uses some of your BSG score! Please don’t take it down! :P http://www.vimeo.com/716247
Bear – as always, your music is spectacular. That concert must have really been quite an event.
18 months after BSG ended, its music is still a very big part of my life (as is Caprica’s to a lesser extent – probably because Caprica’s production schedule has been all weird). There’s really nothing like blasting “Watchtower” or “Apocalypse” in my car while I’m on my way to work, to wake me up.
But we need MOAR of the BSG Orchestra! We fans of Bear and the BSGers ought to organize an outright campaign to get this stuff released – it worked for Star Trek TOS and Serenity, so why not these performances?
Bear, who should we write to in order to implore the Powers that Be to release your live shows and concerts?
I knew I should have sold that kidney to get to Tenerife!!! Why else would the gods have given me two?!
Your blog is as fascinating as ever Bear! Great news on the 4 hour HT OST, it won’t make up for your absence on Season 2 but it’ll be a great reminder of how to score an action TV show.
I know it takes much in the way of preparation but please bring your BSG concert to London, UK :O)
1st, LMAO @ Matt R D..how true, we got 2 kidney’s..and, we also have several fingers to choose from too..right ? I wonder how much the last finger on each hand are worth..and really, how often do we use them folks ? he he
Bear, I’m also in agreement with Zbeeblebrox, whom do we have to write (or call) to get your live shows and concerts released. got a link ?
I like the “jedi mind trick”…more, more..he he…
Bear, for the longest time I’ve been meaning to ask you about the lyrics to ” The Cult of Baltar “. The way that Raya (and others ??..are there others singing this too or is it Raya singing it in different pitches, etc and then combining all of them ? ) sings that is almost indescribable. To me, it feels very balancing, relaxing, soothing, meditative and yet energy building. Are the lyrics in Armenian like some of the other songs and what is the translation to those lyrics ? I would love to know the words, they’re very very beautiful sounding.
Also, I myself practice Reiki (am not a master, yet..just a student..but I do work on others from time to time and recommend some of your music for this.) and I LOVE using this song (Cult of Baltar). Raya’s voice is just beyond amazing. I’m one to think that hearing her voice in a similar way, meditative. ??, would be out of this world.
The lyrics to Cult of Baltar are in Old English/Anglo-Saxon.
http://www.bearmccreary.com/blog/?p=241
We gadriaþ in nihtscuan (We gather in shadow,)
Neoðan þin gledstede, (Beneath your altar,)
þin liċfæst in blode ond lieġe. (Your image in blood and flame.)
Nu þin ġebann, æþreddaþ us (By your command, deliver us)
To þæm anliċum æltæwan gastcyninge (Unto the One True God)
Gaius Baltar, ure dryhtweorþ nergend (Gaius Baltar, our divine savior)
Nu ond æfre to alder. (Now and for eternity.)
Swa we ġehwilc ġehalsiaþ. (So say we all. )
Dear Bear,
What a great description of an amazing concert. I wanted to share this with you, regarding how incredible and unique “Diaspora Oratorio” really is. (If I’ve written this before, sorry, but in my mind it really highlights your amazing gift.)
I had a BSG CD playing in the car one afternoon, and after “Diaspora Oratioro”, my 10-year old son said (approximate quote): “You know, that song makes me think of a guy, all beat up after a fight, climbing up a really high rocky cliff and then getting to the top and seeing the sun rise.” This from a kid who had never seen an episode of BSG, and had no idea whatsover where that score fit in the plot. I wish I could have been in Tenerife for that song alone.
Here’s where we’d really love to see you perform someday, if you and Raya ever get the urge to visit scenic Cape Ann, Massachusetts:
http://www.rockportmusic.org/newperformance.html
Small venue (Diaspora would be impossible, sad to say), but you can’t beat the ocean view through the glass back wall of the stage. Artistic Director is concert pianist David Deveau, who seems very classical-serious, but also lectures in the MIT music department, so should have some empathy with the sci-fi mindset? Come to think of it, a concert at MIT would be really cool, too…
Wow!!! I’m out of the radar for a couple of weeks and when I come back to check on your blog there is such a lot to read!!! Love to hear about you, anyway!!
I didn’t know about the whole fiasco of the airport and the lost lugagge, I can picture the horror you would have felt those days, I can’t even imagine what would have happened if the instruments didn’t appear at the end…
Well, about the whole CONCERT BEING AIRED AT ANTENA 3 CANARIAS THIS 17/9, I just wanted to shed some light on it since I speak spanish and I’ve recived the message from the Fimucite Facebook page (actually it was a mesage sent by master Diego Navarro himself).
Here’s the original message I recived,
********
Subject: Emisión Antena 3 Canarias concierto Bruno Coulais – Battelstar Galactica Symphony
Estimados amigos:
Les enviamos este correo con el fin de informarles que este próximo viernes 17 de septiembre tenemos previsto emitir el concierto de Bruno Coulais y Bear McCreary con su Battlelstar Galactica Symphony que interpretamos el pasado mes de Julio durante la 4ª edición de FIMUCITÉ y que tuve el gusto y honor de codirigir.
El sonido del concierto ha sido el resultado de un laborioso trabajo de estudio que ha durado muchas semanas en el que hemos mezclado y masterizado la grabación realizada en vivo durante la interpretación de la Orquesta Sinfónica de Tenerife y el Tenerife Film Choir (dirigido por mi amiga la maestra de coro y soprano solista Cristina Farrais).
La emisión dará comienzo en torno a las 22:00h según nos ha informado Antena 3 TV Canarias.
¡Tras tantas horas de trabajo, esperamos que lo disfruten como lo hemos hecho nosotros!
Saludos cordiales
Diego Navarro
***************
As some of you have already pointed out, the channel Antena 3 Canarias will air the Coulais/McCreary concert next 17/9 at 22:00/22:15 local time, and according to a message Navarro left at the Fimucite facebook page, there are going to be three different ways to see it: Antena 3 canarias tv (Just if you are at the Islands…), Antena 3 TV web page (streaming) and at the International Antena 3 channel (if you have satelite or any other kind of digital system to tune it).
I’ve already asked at the Fimucite facebook page if those who will be able to record the emission can share it later with the rest of the world by posting it somewhere like megaupload. As soon as I get any response, I’ll let you know.
Yas ^^
Soooo…
Bear, when are you taking your gang and coming to Japan for a concert? Believe it or not, I am beginning to hear your music being used in all kinds of variety shows now. And most people here don’t even know what Battlestar Galactica is, but your music is being used. Which indicates to me that people in the music industry in Japan know all about you. It would be cool for you guys to bring down the Budokan!
p.s. Budokan would be a great place to do a live recording for CD and DVD release….
Ok, so about the concert’ retrasnmission at Antena 3 tv,
a really kind user (Marcos) of the fimucite facebook page has already assured me that as soon as he has the recording of the concert, he will share it via megauploadad and post the links to download it at the facebook’s wall. Be sure I’ll post them here. ^^
Yas
Yas that is wonderful! Question: is the streaming version accessible to the rest of the world?
Hey Bear,
I’ve been reading your blog for a while now and after I read this post I thought it was time to sign up and congratulate you on everything you have achieved in your life so far… this post was very inspiring, I just wish I was there to see the show (when are you going to be playing in the UK?).
I cant wait to hear more from you in the future, your BSG work is the most powerful music I have ever heard. As an aspiring composer myself, I hope I can write music as good as yours someday and perhaps achieve as much as you, you’re a real inspiration.
Keep em coming!
Lee House
http://www.myspace.com/leehousemusic
Hi Bear,
Hey just to let you know, I don’t think your “staff” e-mail link is working right now. I tried to e-mail that address with a question about any upcoming concerts but twice it came back that the account didn’t exist.
That said…any concerts coming up anywhere else? Not all of us could make it to Tenerife, although my heart wishes I had! Any information or thoughts would be great! My boyfriend and I are huge fans but live in Northern Ontario and are planning a vacation sometime, and wouldn’t it be cool if we got to see the BSG concert!
Cheers,
Bethany
The vacation part of summer vacation: You’re doin’ it wrong. ;)
I was so sad the day that concert went on. Stuck in Finland with no way to get to the concert. Hopefully the BSG Orchestra will make its way to Euroland. It sure would mean a lot to us fans.
Does anyone have any idea which plugin you need for the Spanish tv site? I’m in Safari and it isn’t exactly being helpful as to WHICH plugin I’m missing.
@musicpaladin2007 the streaming url is (I posted it before)
Streaming in Canal Internacional. Maybe here (I dont have plugin in Chrome) http://www.tvporinternet.tv/es/antena-3-internacional
Alex Watson… “Next time when you see El Honcho OST Grandes at NBC Universal,can you please mention the lack of Bear BSG goodness.”
Well, you figured out the problem. Why is that NBC Universal can’t get their act together and get their material on iTunes international and CAPCOM and Warner Bros seem to have no problem? I don’t know. Be patient. It’s coming. In the meantime, download that DARK VOID soundtrack. It’s pretty awesome. :)
Elin… “I feel a sense of accomplishment: I made it into one of your blog entries. Wow. :-)”
:)
Matt R D… “I knew I should have sold that kidney to get to Tenerife!!! Why else would the gods have given me two?”
Seriously, man. What stopped you?? :)
flowwrnglr… “I had a BSG CD playing in the car one afternoon, and after “Diaspora Oratioro”, my 10-year old son said (approximate quote): “You know, that song makes me think of a guy, all beat up after a fight, climbing up a really high rocky cliff and then getting to the top and seeing the sun rise.” This from a kid who had never seen an episode of BSG, and had no idea whatsover where that score fit in the plot. I wish I could have been in Tenerife for that song alone.”
Thank you for sharing this story. This put a big smile on my face.
Bethany… “That said…any concerts coming up anywhere else? ”
Nothing on the books as of now. We’ll do more, but it will probably be next year.
-Bear
Really cool blog entry, Bear :)
The concert seemed to be awesome. I wish I’ll be able to see the BSG Orchestra someday. :)
For those who have difficulties to find the url of the streaming, I found something (I’ve had some trouble finding a working link) and I’m pleased to share it:
http://www.antena3.com/noticias/cultura/musica/bruno-coulais-bear-mccreary-fimucite_2010091700104.html
Bruno Coulais’concert is streamed at this moment, the BSG Orchestra will follow :)
Bear…. AMAZING concert! Just watched the stream on the Antena 3 website. My connection was a little hairy so I occasionally had some video lapses, and… I think the sound mix of the video could use some (ok, a lot) of work, but you guys played magnificently and I was SO impressed with the arrangements of everything. The Passacaglia, which on album I have always thought sometimes was a little monotonous towards the end with the limited instrumentation, was GORGEOUS. And this arrangement of Wander My Friends is my all time favorite.
I hope you will a) perform this mix of an ensemble again and b) release the orchestral transcription of these movements so that other ensembles can play them. I of course am working on my own, but nothing by far beats yours. Amazing work.
Wow!! Even months after the concert now, I still can’t believe how incredible it was. Too bad I missed the chance to relive it using the live stream, because of a trip to Italy (Verona) to witness a concert by Ennio Morricone. An open-air amphitheatre filled to the top (I think at least 10.000 people)! Imagine the Battlestar music being performed there!
I’d like to thank you again for you talking to us, your blog folk and fans, at the panel talks, and later again after the concert (though I didn’t say much at all, I was a bit overwhelmed). There aren’t many artists out there who do what you do. Thank you and your team, and the orchestra of course, for the wonderful music and the encore afterwards. And as with Elin, it feels like an achievement to have been mentioned on the blog, albeit on a photo.
You guys should do this more often! ;)
Maxime
[...] of you know that I went with the Battlestar Galactica Orchestra to do a concert in Spain, specifically in Tenerife, one of the Canary Islands. The following is a [...]
Bear, i want to arrange a Battlestar Galactica Suite for a youth orchestra of non-professional young musician…i am orchestrating a version of “So Much Life” but i base my work on the sketches on the “Daybreak” page of the blog…it is possible to have the original score? Obviously i will pay the royalty..
Please, help me!
Gio
Wooow! The concert was awesome. My girlfriend and I couldn’t believe what we were hearing. I think that the sound wasn’t so good for one or two music pieces (maybe a little problem with the mix for the video) but everything else was amazing.
I especially liked the re-arrangements for “Passacaglia” and “Wander My Friends” ; and seeing “All along the Watchtower” played live is frakkingly thrilling :)
Now I want a DVD of this concert :)
You made a really nice job with the orchestra, Bear! :)
I missed the broadcast. Is a recording available anywhere?
scorereviewer… “I missed the broadcast. Is a recording available anywhere?”
Not yet, but I will let you know when / if it becomes available. I actually missed the broadcast too, and can’t wait to see it! :)
-Bear
Hi Bear, I missed the concert when you visited Tenerife, but I watched it on TV and it´s awesome, hope you’ll come to Spain again!
I discovered recently your blog, thanks for share with your fans!
Hi Bear, I discoverded your blog today and it was a big surprise! I’m here, in a photo with Cristina and Antonio (my boyfriend). A really pleasure to sing with you… wow! I hope that we will meet again… I want to sing with Raya another time, please! Can I will???
Thanks for your music, it’s fantastic!
Hi Marta! Great to hear from you. You were all so amazing! It was one of the most fun choral experiences I’ve ever had. Hope to work with you all again soon. :)