• Bear McCreary

    Composer for film, television and videogames. Credits include "Battlestar Galactica," "The Walking Dead," "Terminator: The Sarah Connor Chronicles," "Caprica," Step Up 3D, "The Cape," "Human Target," "Dark Void," "SOCOM 4," "Trauma," Wrong Turn 2, "Eureka" and the Rest Stop films. This blog focuses on the scores to "Battlestar Galactica" but other projects and various aspects of film music are frequently discussed.
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    BG4: “No Exit” – Exclusive Final Five Interviews, Pt. 1

    Posted by Bear McCreary on February 13th, 2009

    In the mid-season premiere, Sometimes a Great Notion, we learned remarkable truths about Earth, the Cylons and the Final Five.  Now that the mutiny of the past three episodes is finally resolved, No Exit and next week’s Deadlock fill in the back story and details of the lives of the Final Five.

    To pay tribute to these two Cylon centered episodes, I present an Exclusive Interview with the Actors Behind the Final Five!  This week, I spoke with Aaron Douglas (Chief Tyrol), Michael Trucco (Sam Anders) and Rekha Sharma (Tory Foster).  

    Bear McCreary: How did the Cylon reveal change your approach to your character?

    Michael Trucco: The Cylon reveal changed almost everything in terms of my approach to the character. I say ‘almost everything’. Sam’s love for Kara is unwavering. That hasn’t changed. There are certain truths in the humanity (or cylonity in this case) of your character that help ground you as the actor portraying that character. For me, when it comes to playing Anders, it is that love and loyalty to Kara that drives his intentions and passions.

    On the flip side, his external identity has been compromised and therefore his own internal sense of self has been turned on its head. So I approach the character with more trepidation, peppered with a bit of confusion, add a dash of fear and frustration and “VOILA!” you have the recipe for a Season 4 Sam Anders.

    Rekha Sharma: It made me realize there was going to be a lot of discovery for Tory… many existential questions that the average person doesn’t spend any time thinking about.

    Aaron Douglas: My acting approach is one that is quite different from other people I have spoken with.  I really don’t make conscious choices about things, I just say the words.  This time was different, I decided that the revelation to Tyrol that he is a Cylon was like an epiphany to him in terms of looking back on his life it suddenly all made sense.  It was his “AH HA!” moment.  ”That is why all of that has happened, that is why I have been feeling out of place, etc”.  I made that choice, the cosmic joke revealed as Bradley and David put it.

    Bear: When and how did you first find out?  What was your initial reaction? Were you as surprised as the audience when you found out you were a Cylon?

    Rekha: I found out because Eddie kept needling me to get a script from the office and read ahead – he was having so much fun with me and got me all excited – little did I know… When I read it I squealed like a little girl – ha ! And then proceeded to tell myself to “chill the f* out – this is an early draft and anything can change…”

    Aaron: I was officially informed just before the read-through in December when we were shooting that episode but I had seen a piece of paper that I was not supposed to see in September and I had to keep my mouth shut for months before finally calling Ron and asking him, “What the FRAK?!?!”  I initially really disliked the idea as I felt that they were taking a character that the fans really related to and had quite an affection for and were making him into something they would shun and dislike.  I also realized that no one would humanize the Cylons more than the Chief so I appreciated the choice from that standpoint.  After speaking with Ron for an hour on the phone, having him patiently listen to me and explain his side I was on board and eager to see what was coming in season 4, and I was truly not disappointed.

    Bear: Has your character taken turns you ever disagreed with? Have you ever been frustrated or angry with your character?

    Rekha: There are things Tory has done that are difficult to reconcile… but they are all understandable. I must have compassion for my characters or I can’t play them.

    Aaron: No.  I don’t think so.  There have been things that I have questioned but Battlestar had the most gracious and open writing staff and producers that would take genuine time to listen to you and your thoughts and help you understand the path that your character was on and why Tyrol was doing what he was written to do.  That and 9 times out of 10, if I found a piece of dialogue or action that I didn’t like I would just change it on the day.  It is easier to get forgiveness than permission….. ha

    Bear: Do you feel sympathetic to the Cylon plight, or do you empathize more with the humans?  In the same situation as your character, could you forgive the Cylons and join up with them?

    Michael: Do I feel sympathetic to the Cylon plight or more with the humans? Well, I guess I’d have to say the line between the two has been blurred considerably over the past four seasons. Therefore, allegiances and sympathies to any one side aren’t as cut and dry as people would like them to be. I feel that this is what defines this series so emphatically. This isn’t your grandpa’s old western anymore…y’know, good guys vs. bad guys, cowboys and Indians, black hats and white hats. It is this ‘us vs. them’ mentality that has driven the political and social discourse in this country and world throughout that keeps us mired in war and ignorance and hatred. There are ALWAYS two sides to every story, and that’s what this series has done so well to demonstrate over the course of the last four seasons. We all (human OR cylon) have intrinsic beliefs and do what we feel is necessary to defend those beliefs, and only after we try and understand each other’s position can we find some common ground.

    Rekha: I feel equally sympathetic to both parties. They were both abused and betrayed by each other… this is no Nazi war where there really is someone to blame. Having said that, forgiving the cylons would be really difficult to do when you have lived under their tyranny and have hated them for years. I think joining up with them has to come from having a vision for the future and an ability to really put the past behind you. Personally, I’m not the best at it – sometime I wish I was more like a dog – they’re really good at being in the moment! hee hee

    Aaron: I see both sides.  It would be hard to choose.  I could not join Cavil but perhaps the others.  I could see my way into finding bipartisanship as it were and joining forces with the idea of a better future.

    Bear: What has been your favorite scene to play in the series?

    Aaron: The scene with Mary at the end of the episode ‘Dirty Hands.’  I will never forget what it felt like to sit quietly with the most beautiful, lovely, talented, gracious, patient, wonderful actress I have ever met.  She is an absolute delight.  That will be with me all of my days.

    Rekha: Can’t pick.

    Bear: In terms of your acting process, what was the most difficult scene for you to connect with emotionally?

    Rekha: Throwing a mommy out an airlock.

    Michael: The most difficult scene for me to connect with emotionally had to have been the one in Season Three when Sam learns of Kara’s “death.” That was just a difficult day in general. There were SO many levels being put into play in that scene standing on the Viper in the hanger bay. The loss, the denial, the guilt, the alcohol, the anger, the hurt (both emotionally and physically). This is not an easy place to go as an actor. And the reality is that I (thank God) have not had to experience a loss on that level in my own life, so it was incredibly difficult and painful to bring myself to those dark places and get into that head space. I didn’t talk to my fiancé for almost two days prior to shooting that scene. I just needed to feel the disconnect and not have the crutch of calling up and saying “hi” and “I love you”. I think she understood and was very supportive. I was glad when that day was over.

    Then, weeks later when that episode airs, what was a long and painful scene was chopped down to just a few seconds of screen time and much of the exchange between Sam and Lee was gone. I was devastated. But such is the nature of editing. As Ron Moore explained it to me, there’s only so little time in a one hour episode and so much content to get in. And while they loved the scene between Sam and Lee, there just wasn’t time for all of it and it detracted from the overall story of that episode.

    Aaron: All of the beginning of season 2.  Unbeknownst to Ron and the writers my wife passed away on the hiatus between season 1 and 2 and for the first 4 episodes of season 2 someone was about to die, was dying or had just died and Tyrol was dealing with that.  It was a tough few months.

    Bear: What role in your career was the biggest stretch for you?

    Rekha: I don’t know… I guess being a cylon is a bit of a stretch. I’m pretty sure I’m human. : )

    Aaron: I think there have been many times when a director has had a very specific idea of what he wanted, that combined with the lack of trust or respect that Canadian actors get from most Hollywood directors has led to a stifling of my creativity that I just could not understand and had a very hard time dealing with.  So often Canadian actors are looked down upon by people flying up to do a movie or an episode of a television show.  That is the real stretch for me.  Keeping my mouth shut and trying to figure out just what it is they are asking me to do.  So often they have no ability or desire to communicate with actors so they just yell, say nothing or are so dismissive and condescending that you just give up and get out of the way.  I think the greatness of Battlestar Galactica started with Ron’s writing, moved to wonderful casting and then to Ron, David and Michael giving the freedom to the actors they had, no matter their nationality, to create.  It so rarely happens and it is so often overlooked.

    Bear: Have the fans reacted differently to you since you were outed as a Cylon?

    Aaron: They all say, “Dude, it totally sucks that you are a Cylon.”

    Rekha: Yes – it seems there’s a bit of a love/hate thing going on…

    Bear: Tory is a bit of the “bad cylon.”  Was this fun to play, or frustrating?

    Rekha: FUN : )

    Bear: Michael, in No Exit Anders goes in for brain surgery.  What was it like to experience the heavy make-up for the bald cap?  How long did that take every day?

    Michael: Oh yes…..the frakkin’ ‘bald cap’!! Honestly, if I had to do that all over again, I would’ve shaved my head in hindsight. Sure, it was fun and interesting the first couple of times. It really was a fascinating process and that all goes to part of the movie-making-magical-experience that makes this job so fun. But after six, seven, ten….a dozen or more times in the make-up chair for four hours at a time, every morning at dusk to apply the damn thing, then another hour or two back in the chair at night to remove it…man, I was DONE. Our incredible make-up artists, Patricia and Ankara and Haley, my saviors!, made it all tolerable. We had a lot of laughs, mostly at MY expense, but bless their hearts they were working their asses off. They had to be there EVERY morning and do all the heavy lifting. I just sat there getting poked and prodded and glued. My iPod was my friend too.

    If I had shaved my head?…15, maybe 30 minutes to apply some wounds and scratches and whatnot and I’d have been a lot less grumpy. But I’d have been bald for real and I wouldn’t have nearly the fond memories and great stories that I do now so it’s all good. 

    Bear: What’s the most memorable interaction with fans you’ve ever had?

    Aaron: I love the fans, I love going to the cons but my favorite thing is doing the Q&A panels and telling them funny stories and listening to them laugh and laugh.

    Rekha: I had a conversation with an Indian woman during a convention in New York. She wants to be an actress and I could see the impact my career has had on her. We all need to know that our dreams are possible. We all need someone to “represent”. That kinda stuff keeps me going.

    Bear: Indian characters are relatively rare on television, and when they do occur, it is usually because the story specifically requires an Indian character.  The sci fi universe of BG does not have such categories.  Is it a relief to be released from Ethnic type-casting?  Similarly, do you hope this series sets a positive example for other shows with regard to type-casting minorities?

    Rekha: YES! It’s a major relief!! I believe, I hope, I pray it sends out a positive example.

    Bear: Or you were actually type-cast because you are a Cylon?

    Rekha: Naw… I don’t think so.

    Bear: Rekha, you and I have frequently spoken about Indian music, since its an influence I draw from regularly.  What do you think of the Indian-inspired Watchtower that “switched you on?”  Were you surprised when you first heard it?

    Rehka: Well, I wasn’t totally surprised because I knew you were cooking something up. But, I was surprised by how much it rocked ! I thought it would be more subtle… and I loved that it was a lot of things – including Indian… I mean, the show starts every night with the gayatri mantra “Om Bhu Bhuva Swaha…” So I think it’s brilliant to carry that theme through to the final five.

    Bear: What’s an interesting experience you’ve had hanging out with any other cast members? 

    Aaron: Every experience is a study in fascinating idiocy.  ha.  My fondest memories are with Jamie and James either at James’ house or Jamie’s house drinking wine till the wee hours.  Sitting down for the most interesting conversation combined with a spread created by Loretta that would rival anything from a King’s court.  Tahmoh in Atlanta at Dragoncon.  Relaxing by the pool with Tricia and taking care of her cats.  Lunch with Katee on Sunset.  My sweet extra long hugs from the very lovely Candice.  Having Nicki pass me a screw everyday for years on end.  Golfing with Rob, Greg, Ryan and the lads.  Talking about the 70’s with Mary in NY.  London Expo with Eddie.  Sushi with Grace.  Dragoncon with Hogan and Olmos, so say we all.  The memories are many and too full to recount in one answer.  It was a life lived in 6 years.  It was all remarkable.  My favorite times were with my Flamingo.

    Rekha: Oh boy – Too many to name… How about the most “soulful” experience? Doing my groceries, scrubbing the floors of my new place in LA, and making dinner every night for days on end with Kate Vernon.

    Michael: An interesting experience with another cast member? There have been a lot, but there is one in particular that stands out recently. It was during the summer while shooting up in Vancouver and we had a long weekend, so Michael Hogan invited me out to his house on Bowen Island. Get a break from the usual same-old same-old of the city of Vancouver. So I said ’sure’ and decided to hang out in the “country” if you will. Now, Bowen Island is Old School, salt-of-the-Earth, tight knit family style, working man’s land, and Hogan is like the proverbial Godfather in this sacred domain. He and his family have been living there for years and he knows everybody, and everybody knows him. But an outsider like me stands out like a palm tree in an evergreen forest.  ”Who’s this guy?” was the most popular inquiry uttered by everyone we encountered. Which is not to say the people were unfriendly, but rather just protective of their beloved Island and beloved Michael Hogan. After discovering I was a friend and co-worker of Hogan’s they’d have given me the shirts off their backs.

    So that night we decide to go and visit his ol’ buddy who lives on a boat down at the Harbor. Not just a ‘boat’, this is actually a handmade replica of a 19th century civil war era sail ship damn near 80 feet long and seemingly as tall to the top of the mast. And this guy knows every square inch of it personally. He’s the real deal. A true sailor right down to the salty grey beard and maritime cap and rubber boots. It was parked in the Harbor all summer and was scheduled to be moved out into the bay the next day. A few (dozen?) beers later and we were recruited to help his friend move the damn thing the next morning. It looked like a floating museum piece and, as I discovered the next morning, moving it out of the harbor was something of a spectator sport. People started to gather round and watch this authentic sailor and his ragtag and hung-over crew of two actors(!) run around the decks with long poles and rope lines making sure we didn’t wipeout the whole dock and a number of rather expensive yachts along the way. Now, Hogan fits right in and spends a good bit of time around seafaring crafts, but city-slicker from Southern California and my ankle-high leather motorcycle boots must have made for more than a few chuckles among the locals. But I’ll be damned if we didn’t get her outta thar’ in one piece and nary a scratch on her or any other vessel. That was good times indeed!

    Bear: Aaron, do you actually have a talent for fixing machinery?

    Aaron: I could sharpen a pencil if you showed me how.

    Bear: You and I are both big Elvis fans.  How’d you get into the King?

    Aaron: My grandfather Walter “Bud” Douglas.  Growing up he would listen to Elvis all the time and my brother and I fell in love with that music.  I remember buying Time Life music of the 50’s and 60’s tapes off the TV when I was 13.  I remember my friends parents telling me I was born in the wrong era.  While everyone else was listening to the Eagles, Billy Joel, Alman Brothers, Meatloaf, KISS, ACDC, Michael Jackson, ZZ Top, etc I was listening to Elvis, The Rat Pack, Tony Bennett, The Byrds, The Four Tops, The Temptations, musical soundtracks, The Five Satins, The Beach Boys, The Beatles, Sam Cooke, The Shirelles, The Delphonics, I could go on and on.  But for me the greatest showman of all time will always be the King.  TCB baby….

    Bear: Any general thoughts on your time on Galactica and about the series ending?

    Rekha: It was easily the best series I’ve ever worked on. The best role. The best people. The best story. The best. All good things must come to an end. The great thing is – the memories I have and the friendships I’ve made will last forever.

    Aaron: The end of Battlestar Galactica, for me, is more than just the ending of a television program that will not only stand the test of time but, I feel will be looked back upon as a show that fundamentally changed the genre itself.  It truly is lightning in a bottle.  But is also a profound chapter in the book of my life.  Although the filming is complete and those pages have been filled and turned this chapter will never truly be complete.  It will have addendum’s, footnotes, pictures and more historical events written into it for the rest of my life.  There are so many things that happened to me personally during this time that is really is the most poignant 6 years of my life.  The story of the Galactica will soon be over, it will have run its course through the magic of television but the impact will never be forgotten, never fully be realized or described.  It was a profound time for me, my cast mates and many fans.  I am so very proud to have been a small part of something so wonderful, so transformational, so important and beautiful.  My eternal gratitude will lie at the feet of Ron and David.

     ***

    I’d like to extend an extra-special thanks to Rekha, Michael and Aaron for taking the time do these interviews.  It means a lot to me and I know it does to all my readers out there too.  Tune in next week for my interview with Mr. And Mrs. Tigh: Michael Hogan and Kate Vernon.

    So Say We All!

    -Bear

     

    PS: I’m certain some of you will miss my in-depth musical analysis for these entries.  The reality is that the unusual amount of fast-paced and essential dialog in these two shows left little room for big musical statements.  But, here are two soundtrack tidbits anyway…

    1. Prologue: I had an exciting opportunity to re-arrange Richard Gibbs’ Opening Prologue music and adapt it for this episode.  In the beginning, it sounds essentially the same, but as the piece goes on, it evolves and gets bigger, incorporating the instruments I’ve introduced to the series over the years.  It’s still recognizably Gibbs’ haunting “Number Six Theme,” but with a little Season 4 twist added.

    2. Ellen’s Theme: If I’d known Ellen was a Cylon back in Season 1, I would’ve written a theme for her back then.  But, I didn’t.  :)  Now her character has retuned, and I felt a brand new theme at this late point in the series would not resonate with audiences.  So, I hijacked Tigh’s Theme, in particular the modal variation of it that first appeared in Escape Velocity to underscore his visions of her in the brig.  I already used this version of his theme when he remembered Ellen was a Cylon at the end of Sometimes a Great Notion, so it made perfect sense to use it as Ellen’s theme as well. I also carefully selected a few moments to quote the duduk melody from “Gentle Execution,” the cue underscoring Tigh poisoning her in Season 3’s Exodus, Part II.  And there’s even a quick quote of the Resurrection Hub theme from The Hub in this episode, in a fairly obvious place.

    See you next week.

    77 Responses to This Blog Entry:

    Interesting interviews. I like what you did with the Prologue.

    Thanks for the interview. It just underscores what I’ve suspected for quite some time now: Battlestar people are just really frakkin’ cool. I can imagine those boots of Trucco’s made quite an impression on Bowen Islanders :).

    And now, Battlestar people are in everything!! Has anyone else noticed that? You’ll be kind of half-assedly watching something, and then BAM! Kandace M. or Tahmoh P. or someone else walks on and says something, then walks off. /hardcore loser spiel

    I was happy to hear the Hub theme again too.

    Dear Bear,
    Is it just me – or did you use a bit of ‘Gaeta’s Lament’ in Ellen’s awakaning?
    I could’ve sworn I heard it, just one little cue, the “alone she sleeps in the shirt of a man” bit.

    It would make perfect sense, actually… That the song is about Ellen, and that this is the one day she finally wakes.

    Bear wrote:
    “… the unusual amount of fast-paced and essential dialog in these two shows left little room for big musical statements.”

    It didn’t leave room for much of anything else. The show was almost all exposition through dialog to finally give us just a few good pieces of the puzzle that is the real history of the Cylons. It also broke one of the rules of good drama called “show, don’t tell.” I could see the effects of trying to compress too much back story into too few last episodes.

    On the other hand, I’ve been so hungry for this information that I didn’t mind. And Anders had a good excuse for talking fast, his time was limited.

    And since you guys seemed to have downloaded my Zarek’s Dead piece so much… have another musical comment:
    http://www.box.net/shared/n4dn8c73j2

    I call it “Ode to a Cylon Goo Tub.”

    Aw, yeah, I definitely did lament the lack of space for new and interesting musical statements this week, and am sad to hear that we’ll also be a little bit lacking next week, too. I hope that resolves itself after that, though!

    Can’t say that I loved this episode–too much of an exposition dump for me–but it was really fun listening for moments where scoring from the particular time period was used during the Ellen/Cavil flashback moments. The one you mentioned that reused “The Hub” theme stands out in particular. Not just story flashbacks, but musical ones, too! Very cool touch.

    Thank you so much for all the work and dedication you put not only into the (brilliant) music, but also into enriching the show for us fans with this fun behind-the-scenes stuff.
    Seriously, thank you so much, Bear!

    Ambious… “Is it just me – or did you use a bit of ‘Gaeta’s Lament’ in Ellen’s awakaning?”

    It’s probably just you. :) The solo erhu at that moment is playing the Ellen / Tigh theme. However, the phrasing is really elongated and the first few notes are similar to Gaeta’s Lament, so I can understand why you’d think that. Unfortunately, with Gaeta now dead, I can promise you guys that the Lament doesn’t appear ever in the series again.

    Alyssa… “Aw, yeah, I definitely did lament the lack of space for new and interesting musical statements this week, and am sad to hear that we’ll also be a little bit lacking next week, too. I hope that resolves itself after that, though!”

    After next week’s episode, you guys are in for a musical treat. Trust me.

    -Bear

    What a delightful surprise! I’m an absolute cylon nut, myself, and these are some of my favorite actors on the show. I’m also seriously looking forward to hearing from another favorite, Michael Hogan, next week and to hear (hopefully) Kate Vernon’s reactions to being the last answer to the longest standing question in this show’s history. And she brought a whole lot of other answers along with her!

    This was such a fabulous episode. Thanks for posting the interviews, Bear. And you know I’m looking forward to the upcoming “musical treat.”

    ~ Saché

    It is true that this episode didn’t leave much time for music,however I love what you did with the “Prologue”. I sure hope that it will be part of the “Season Four” soundtrack. Will it be the first track?

    I must say this again: Will the song featured in episode one (season 4) when the fleet tries to fend off the Cylons be on the soundtrak?

    Hello, the genius Bear!

    Thank you so so much for the entire blog, it’s just amazing how you’re not only eager to spoil us fans but actually are doing it on a weekly basis! The blog is just a massive BSG treat! And the music… well… each time I listen to this or that piece I get chills and tons of inspiration (I like to try my hand on fiction now and then and I’ve found recently that your Roslin & Adama theme awakes exactly the kind of emotion I needed for my latest try. I’ve been stuck on the theme for 2 weeks already and the picture’s getting clearer and clearer. Big all-time THANKS for that). What I like most about BSG score is its variousity. Before BSG I never thought that mixing up Middle-Eastern, Indian, Asian and even Gaelic musical motifs could create such a unique sound and its own atmosphere. Four thumbs up (the feet ones too :+D).

    On a sidenote: please, could you tell the whole gang (RDM, cast and crew or really anyine there) that BSG is LOVED in Russia? It HAS got its fanbase here and is going to be missed badly.

    And one last thing – I’m wondering if Leoben’s gonna take part in the last episodes’ events and to what extent… and if he is could you catch Callum Keith Rennie for a small chat? What are his feelings on Leoben’s storyline this last season, is his part in all this of any significance? I love his character and still hope something’s in store for him now that we’re so close to the End.

    Thanks again. Shall you be forever inspired )))

    ~Ksenia~

    Wonderful and outstanding interviews with all the actors and I am so looking forward to next week’s installment, Bear. Loved what you did with the Prologue, outstanding :)

    This episode WAS so fast paced and I’ve had to watch it twice now to even keep up with what Anders was communicating :)

    And on the NON-Galactica front, HOORAY for the return of TSCC!!! An excellent episode last night….

    Bear:

    “Understanding is a three-edged sword.

    NOW we’re finally finding out what that really means with this episode. This interview is wonderful! Allow me to kowtow towards LA once again.

    “After next week’s episode, you guys are in for a musical treat. Trust me.”

    !#%@#&@ Can’t wait! If it’s not the string piece of S4, I hope it has french horns… although the Admiral is more likely to be a cylon.

    I’m so glad that the powers that be let you revamp the prologue instead of just cutting and pasting to fit the new length. I guess the original is a Richard Gibbs piece instead, but I love the simplicity of the G6 to B. This new one really had better be on the CD!

    Thanks for sharing all this cast commentary, too. Another reason why BSG is so amazing/groundbreaking/generally awesome – the actors are all real people who are willing to share this with us. It’s been so great to watch these actors grow too – going from stints on shows like Charmed and Stargate (yes, Aaron we remember your evil Jaffa days!) to now mainstream gigs like Law & Order. You can’t turn around without catching these guys – keep it up!

    Bear,
    Thanks for those outstanding interviews!
    Although, this episode wasn’t as musical as others for the obvious reasons you mentioned, the scenes with Ellen were fantastic and emotional. The reuse of Tigh’s theme fit perfectly. It was also nice to hear “The Hub” theme again :)
    Looking forward to next week’s interviews and score…and very excited about the musical treat the following week!

    I forgot to mention that I’m really digging the new prologue intro music! That was intense!

    Bear – I appreciate it when you discuss your music here, but I also very much appreciate when, occasionally, you don’t discuss your music as much, but provide a perspective on the show and its people which we wouldn’t be privy to otherwise. Thank you.

    Aaron: “So often Canadian actors are looked down upon by people flying up to do a movie or an episode of a television show”

    Between BSG and “Da Vinci’s Inquest /City Hall” (and I probably should add “Stargate SG-1 /Atlantis” and “The Outer Limits [1995-2002]” in there as well), I have nothing but the GREATEST admiration for Canadian actors, especially those working in or out of Vancouver. I hope BSG finally gets y’all some of the respect you deserve.

    I don’t know how many others noticed, but we got a double shot of McCreary music last night, with the season premiere of T:TSCC two hours before BSG.

    Macker: ““Understanding is a three-edged sword.”

    HA! Could the Centurions’ one God be… Kosh?

    Bear: “Tune in next week for my interview with Mr. And Mrs. Tigh: Michael Hogan and Kate Vernon.”

    Oh, baby – I am SO looking forward to that.

    - M. \”/

    “After next week’s episode, you guys are in for a musical treat. Trust me.”

    Sure, sure, pick the one week that I’m going to be out of town! ;) Um, unless you wanted to throw together a really quick BSG music concert for that week, because I’ll actually be heading across the country to visit L.A. at the end of this month. Aw, as an East Coast girl, I’ve got to say, I’m so jealous of the fans that are permanently located over there who can come out for those concert events. I’d love to hear this music performed live someday!

    I actually have a question about the rest of this half-season–do we have any more vocal scoring in store for us? I know you already answered the “where’s the season 4 signature piano piece” question, so I was just curious about whether or not 4.5 is getting anything else on the vocal front, or if we hit our seasonal quota with the Diaspora last half-season.

    Also, on the topic of what to include on the season 4 CD release, might I suggest a suite of all of the Roslin and Adama theme permutations from the past year? I’ve been watching my 4.0 DVDs, and there’s just so many lovely things you’ve done with that piece over the course of the whole of season 4 thus far, and I feel like one of the many reinventions of the track might wind up getting lost in the shuffle! I’m STILL lusting after the version that played at the end of “The Hub,” and I love the version that downspirals into Roslin’s theme during “Six Of One” when Roslin and Adama have their fight, and she loses her first bit of hair. Maybe instead of “Violence and Variations,” we could have eight or so minutes of “Roslin and Adama…and Variations”?

    You continue to amaze me each week.

    The first second of the new prologue hit me like a bullet, and when I realized what was going on, I was on the edge of my seat. Your recreation was like a wake-up call that said “now I want you all to listen up, because tonight you´ll get something special”, and I listened…

    Ellen´s return was fantastic. Actually, Kate was radiating her happyness to be back in the show like hell; she looked better than ever before, and using the Tighs´ Theme was brilliant enough.

    I hope they will save the Galactica before she breaks apart, but I have a bad feeling about this. Whatever happens, I´m sure your music will give it the appropriate significance.

    GREAT idea with the interviews, and thanks to everyone involved. Aaron´s pencil sharpening remark made me ROFL. Great story about the XO and the Pyramid man sailing out.

    Now I can´t wait for next week´s interview and the musical treat the week after that.

    Thank you, Bear, for making those final days of Battlestar Galactica such a joy. It´s VERY much appreciated.

    “The first second of the new prologue hit me like a bullet, and when I realized what was going on, I was on the edge of my seat. Your recreation was like a wake-up call that said “now I want you all to listen up, because tonight you´ll get something special”, and I listened…”
    > Exactly ! Couldn’t have said it better myself.

    I’ve been reading these since I got hooked on BSG in mid-season 3… your entries really add another dimension to what goes on on this show. I love all your analysis, and today’s interviews were not so much a “welcome change” as a “welcome addition”.

    The new prologue was awesome; it took me a few seconds to realize what was going on (expecting to hear the same thing we’ve been hearing for the past three-and-a-half seasons).
    There was one cue I didn’t recognize, when Caprica and Saul were talking about their child. Perhaps you’ve mentioned it somewhere else, but I don’t remember it from another episode.

    I’m constantly impressed by the music you put into this series and by your informative blog entries, Bear. Thanks for asking Rekha about being an Indian actress having the opportunity to play a non-ethnocentric role… it’s not often you see people show enough insight into other cultural experiences to nail such a specific and relevant question. As an Indian American, I thank you for the question. Oh, and the Indian influenced nuances of your Battlestar music absolutely ROCK!

    Never mind… just rewatched and recognized Tigh’s theme (just never really heard it that way before).

    Thanks, Bear, for that wonderful interview of yours and the three cool kids from BSG. I really enjoyed it.

    I am still a bit in shock, though, over the information given by AD… the death of his wife?? Wow! That he kept years and years from the fans. That’s a big one! And I really feel for him.

    As for the show and its music… I really felt the absence of your music, though I agree, it was really story driven and didn’t allow much time for music. I hope though that the next few eppies got you a bit more busy. We didn’t really hear much of Sam’s tune. Will that change?

    All my best to you!!
    Dee

    I DID IT!! I just wrote the last cue of the entire series! 5 years of my life. What a voyage.

    It was my goal to finish this series before I turned 30. So, that’s checked off the list. I now have 3 days to do everything else…

    So Say We All!
    -Bear

    Haha, I guess you have about 3 days to score The Plan to REALLY keep your goal ;-)

    Congrats on finishing your last cue!
    Just out of curiosity, when are you recording the final episode?
    Any plans to add footage from the final recording session to the doc? I imagine it’ll be a very emotional moment and something worthy of documenting.

    By the way, I’ve really been enjoying the expanded nature of your blog with all the interviews with cast and crew. Looks like they know who you are after all!

    Congrats on finishing the last cue!!
    (You pressed the save button, right??)

    Happy pre-Birthday! Not just BSG, but look at alllll the other work you’ve piled up already. If you write until the age John Williams is now…well lets just say you’re pretty young for a successful composer. ;)

    Wow, the last cue!! What a journey! And the capstone to the last five years of your life Now, when is your birthday??

    Congrats Bear, not simply on writing immortal music that people will treasure forever, but for these detailed blogs letting us in on your process and creative thinking.

    Tho this entry was short on music info, I really appreciated hearing from three of the Final Five Actors. For each of these actors, their characters have grown, matured, become enriched and become diminished (in terms of moral choices) over the series that it’s hard for me to think of them except as Anders, Chief and Tori.

    And yet, the stories they contributed will stay w/ me. Mr. Trucco, your description of the launching of that boat was great! Vivid and wonderful (even if you were hungover, clearly you relished the experience.) Mr. Douglas, my belated sympathies on your loss. Any man who can endure that and act his way thru that season as you did, deserves the applause of an Olivier. I too am a tremendous Elvis fan, so I’m happy to be in your company. And I have to say, “Dirty Hands” (and the music of “Dirty Hands” was one of my all time faves of the show.) Ms. Sharma, you are a talented actress, and yes, whew, it must be hard to be the one who thru Mama from the airlock. (But a v. funny response.)
    So again, congrats on the last cue, Bear. Congrats on turning thirty. Whatever you pick up next, I hope you will do these blogs cuz we all want to come along for the ride. Maybe not for the soul-thrashing work, but the ride for sure.
    So say we all.

    Oops…I should have added, “I hope you can enjoy a well deserved break and hope you have a great birthday”

    After watching this episode, I have a theory…

    I believe that Daniel is Starbuck’s dad! And my theory is mainly based on music information.

    One, Daniel is “creative” as described in this episode. Two, we learned Starbuck’s dad was a piano player. Three, this link:

    http://www.scifi.com/battlestar/youwillknowthetruth/index.php?pageid=280

    This picture shows Starbuck with another man playing a piano. Plus this would help explain what Starbuck might be: possibly a hybrid???

    Probably a stupid, and incredibly wrong theory. But I love that piano pic! I’m sure it must have something to do with Bear’s music and a piano piece he hinted at. Can’t wait!

    As clarification, we learned Starbuck’s dad was a piano player in the 2nd season when Helo and Kara were on Caprica. Phillip Glass music…

    Wow! The last cue?! What a historic moment!

    MJL356, I have the exact same theory for the same reasons. Piano player = artistic, and Starbuck still needs an identity. And oh my gods, that picture! I would be stunned if that wasn’t her dad.

    Congratulations, Bear! Please be sure to point out whichever cue that was when we get to hear it, so that we can all stop and savour the moment. ;-)

    It’s not too far off! Yikes!

    Congrats, Bear! I can’t wait what type of soundtrack is expecting us in “Caprica” … so I guess you are not off the hook yet ;-)

    Concerning this weeks episode: I felt the same violation of the holy rule “Show, don’t tell!” … come on! It’s BSG… I totally wouldn’t have expected that kind of “weak shooting”. Of course, I loved the information we got and also the duel between Ellen and John. I just hope there is a good reason for stuffing crucial information and revelations of that kind in some lines of a dialogue. Maybe they needed to get rid of that information to have room for more important stuff in the last few episodes.

    Thank’s for the interview!!!!! And happy birthday in advance minus the superstious bad luck! ;-)

    I’ve read here (I think) that there’s a very musical character appearing tis season, a character loosely based on Bear.
    Could that character be the 13th cylon?
    Is Bear a cylon?

    The last cue! I’m ready to cry my eyes out whenI hear it… but it’s FABULOUS.

    Great job on the new opening theme. I’ve been hoping for years to hear back the “Are You Alive? / Battlestar Galactica Main Title” track from the miniseries, but I guess this re-arrangement does the job nicely. Don’t you think it would be a great opener for the series 4 soundtrack? ;p

    Bear wrote:
    “I DID IT!! I just wrote the last cue of the entire series! 5 years of my life. What a voyage.”

    I can imagine… It’s been a trip just watching the series over these last years.

    So what’s next?

    Are you going to be involved with Ron Moore again on any projects?

    Daniel wrote:
    “I just hope there is a good reason for stuffing crucial information and revelations of that kind in some lines of a dialogue. Maybe they needed to get rid of that information to have room for more important stuff in the last few episodes.”

    There’s a reason that exposition dumps are the bane of literary science fiction. Science fiction is ultimately a literature about abstract and metaphysical ideas, of things that can’t really be shown so easily.

    However, I think the problem in this case is that the writers have got too much back story and too few episodes left to reveal that back story in.

    I think they’re also setting us up for “Caprica.”

    http://normdoering.blogspot.com/2009/02/few-pieces-of-puzzle.html

    MJL356: “Probably a stupid, and incredibly wrong theory.”

    Maybe. But, at this point, it’s my theory as well. And thanks for that link. I’d had some bad luck accessing “You will know the truth” – until your link put me right into it.

    - M. \”/

    Rian-

    Exactly what I was thinking… perfect intro to season 4 album – the No Exit intro leading into the somber opening piece of Sometimes A Great Notion.

    Oh and Bear one more thing… was that a snippet of Kara and Anders’ theme that I caught during the final Kara-Anders scene in sickbay? ;-)

    It was a great pleasure to hear the Hub theme again, but the redone pilot opening music was also absolutely amazing; that piece, however short it may be HAS to make it to the soundtrack! (Also, I cannot wait for the S4 soundtrack!)

    Happy (soon to be) Birthday, and congratulations on finishing!

    Thank the gods that somebody arranged the opening theme! Not only was I not fond of it to begin with, but I was really starting to get tired of it. Well done!

    And I very much appriciated the return of Sharon’s theme! I could be wrong, but I think it’s the first time in a while that you’ve used it. Refreshing!

    Congrats Bear and I hope you have a great birthday! I hope you have a big celebration planned, you deserve it!
    Thanks for dedicating the past 5 years to this awesome show, it couldn’t have been what it is without you! I foresee much more success coming your way!

    Bear said, “I DID IT!! I just wrote the last cue of the entire series! 5 years of my life. What a voyage.”

    Bear….this amazing musical journey you have taken us on has been absolutely incredible, and in this collector’s opinion has raised the bar in how television scoring is measured.

    “tashley” brilliantly pointed out earlier that if you are with us and grace us with your music to the same age as John Williams, we are surely going to be blessed for years to come, I know I am looking forward to it.

    Congrats on all you have accomplished over the last 5 years, with BSG, Eureka, TSCC and your other projects, and I’ll also through an early Happy Birthday in as well……

    So according to Aaron, Canadians are viewed as Cylons?

    Sweet.

    What can I say? I’ve been blown away the past few weeks. I knew BSG was going to kick into another gear, but I didn’t expect this.

    With Kara’s line about the Cylons outside hoping for a musical from Sam, I’m glad that the musically endowed episode that you’ve been dangling in front of us for a while is coming up now.

    I have to agree with others about Kara being Daniel’s daughter. If that is the case, it explains how she was able to survive, but still doesn’t cover her role as the “harbinger of death” or how she got a hold of a pristine Viper. But the show’s not over yet, and there is still Baltar and Roslin to get to as well. There’s something with them too.

    But speaking of Daniel… are we going to see a flashback with you as the Seven? Seven of Bear!

    Anyhoo, thanks for posting these interviews. I sometimes get a bit lost when you go into detail about the tunes; I know what you’re talking about, but I don’t “get” it all.

    Rekma has to be a Cylon. How else cold Tory take such delight in her new life as a Cylon? Since learning he’s a Cylon, Sam does appear to have changed, but as Michael said, his feelings for Kara haven’t changed and you can see it in his eyes of hear it in his voice when he’s talking to her. And yeah, Galen’s changed more than just about any of the other skinjobs, although Tory comes close. He’s been through a lot and it’s nice to see him back to doing what he does best – and that Adama was finally able to admit to himself that Galen was the man for the job, and that whatever it took was worth it.

    Looking forward to the rest of the interviews.

    It’s hard to believe that it’s almost over, but I can’t really see BSG being able to go on much longer. Maybe one more season, but that would be pushing it. The last thing BSG needs to do is jump the shark. Wait, do they even have sharks? Or what about Cylon sharks (finjobs)?

    There is still Caprica to look forward to, as long as it doesn’t do any shark jumping or suffer from prequelitis. But Caprica is still some time off.

    Bear, Congratulations on the last cue of Battlestar !!!!

    I hope as the final episodes air, we’ll get the high quality blog posts to provide some insight.

    This series is a fantastic journey, both as a series and a musical journey.

    Thank you.

    Revelation 23:: I think if BSG went any further than five more episodes, I believe they would be nuking the fridge instead….

    Thank you so much for these glimpses with the actors.
    It’s a great idea even if I was surprised a little bit in the begining.

    Alyssa said : ” yeah, I definitely did lament the lack of space for new and interesting musical statements this week, and am sad to hear that we’ll also be a little bit lacking next week, too. I hope that resolves itself after that, though!

    Can’t say that I loved this episode–too much of an exposition dump for me.”

    I agree with Alyssa. Too bad to hear another episode like that.

    But I do love what you did with the Prologue. Great job.

    Bear said : “After next week’s episode, you guys are in for a musical treat. Trust me.”

    I can’t wait! I can’t wait!

    Bear said, “I DID IT!! I just wrote the last cue of the entire series! 5 years of my life. What a voyage.”

    CONGRATULATIONS!!

    It’s a great voyage for all of us, too. It’s the first time I’m really interested in the music of a TV show and I have to thank you a lot for so amazing pieces of music and awaking this “interest”.

    I have 2 questions for you, and I would be honoured if you answer them.

    - Do you plan to put the “Adama/Tigh theme” in your next CD ? What’s its name? where can I find it otherwise? I found it rich and moving.

    - Edward James Olmos is the actor why I watched the show first hand (he is one of my all time fav actor). Are we going to be able to watch him a little more than this episode in next weeks ?

    Again thank you a lot.

    [...] site? They’re all such renaissance people. For example, scroll towards the bottom of composer Bear McCreary’s interview with some of the actors to read a hilarious tale of how Michael Trucco (Anders) helps launch a historical ship with Michael [...]

    “…Cylon sharks (finjobs)?”

    Narf!

    - M. \”/

    Congratulations on finishing your last cue!

    Speaking of Gaeta’s theme, I was watching “Sometimes a Great Notion” and listening to the part of the cue when Starbuck takes her dog tags from the body (which a lot of people were confusing for the Temple of Five theme) and realized why it sounds familiar even though it’s definitely not that theme. Am I crazy or is it really similar to the gamelan melody playing in the background of the version of “Gaeta’s Lament” from the end of “Guess What’s Coming”? I’m assuming it’s a coincidence and doesn’t mean anything, but you never know with Battlestar…haha.

    There was more music than I thought I heard. Although this episode, to me, didn’t need any music.
    However I must say that it did sex it up a notch.

    The song that really had an impression on me was the one featured when Ellen & Boomer escaped from the Basestar toward Galactica. It was preceeded by what seemed to be an emotional appeal from Ellen to Boomer. During that departure 3 raiders were in pursuit.

    Concerning the “Prologue”, it played for 1 min. The original “Prologue” played for 20 secs. The new one seems to give the show makers more time to explain there ideas for the passed episodes and the upcoming ones. I watch the “No Exit” episode numerous times just because of the “Prologue”. It’s just to bad this new version wasn’t feature since the beginning of the season! Still, it ain’t to late to make certain changes.

    Good job on music that inspires others!

    Happy birthday Bear!! Congratulations on the last cue also. I’m really looking forward to see and hear the last episodes. I just hope that the music of Caprica will follow the legacy of BSG, but in your case I think that’s no doubt ;-)
    (P.S. Sorry for my poor english)

    Congratulations on the completion of another circumsolar orbit.

    - M. \”/

    Hey everybody… thanks for the bday wishes! I’m 30 today! I’m celebrating by going into the studio for 12 hours, as today is our first official day of recording sessions for the finale! Today, I’m also recording a very special piece for the soundtrack album that involves a certain cast member who lost a leg. :)

    Also, it seems everybody loved the new prologue. That was a lot of fun to do. I wish we had made different prologues more often.

    tashley… re: the musical treat after the next episode: “Can’t wait! If it’s not the string piece of S4, I hope it has french horns… ”

    It’s neither, but you won’t be disappointed.

    Alyssa… “I actually have a question about the rest of this half-season–do we have any more vocal scoring in store for us?”

    Yes. Raya Yarbrough’s haunting voice will be heard in the finale. However, it will be a brief appearance. “Diaspora Oratorio” is by far the biggest vocal work we’re going to hear in BG.

    Adam1215… “just rewatched and recognized Tigh’s theme (just never really heard it that way before).”

    Yes, it’s gone through some incredible transformations this season. In Season 2 it was a blaring, bombastic military anthem and now its evolved into this very ambient, Middle Eastern whisper.

    CaptPorridge… “Any plans to add footage from the final recording session to the doc? I imagine it’ll be a very emotional moment and something worthy of documenting.”

    Yes, there are plans in the works.

    MJL356… “I believe that Daniel is Starbuck’s dad! And my theory is mainly based on music information.”

    I’m seeing a lot of chatter about Daniel out there. I won’t say anything too concrete, but I will warn you guys to be careful taking the theories of Daniel out this far.

    sache8… “Please be sure to point out whichever cue that was when we get to hear it, so that we can all stop and savour the moment. ;-)”

    You won’t have a problem with that. I scored the finale in order (rare for me), so the last day I wrote, I composed the last two cues of the entire series.

    Norman Doering… “Are you going to be involved with Ron Moore again on any projects”

    Yes. Caprica.

    “There’s a reason that exposition dumps are the bane of literary science fiction. ”

    This is totally true!

    So Say We All!
    -Bear

    musicaladin2007… “was that a snippet of Kara and Anders’ theme that I caught during the final Kara-Anders scene in sickbay?”

    Good ears, my friend! YES! That theme, what I call the Kara and Anders Love Theme, is on the Season 2 album in “A Promise to Return” and “Scar,” and has come back sporadically in Season 3 and a little more in Season 4. You’ll be hearing it again soon, I promise.

    Lutin… “Do you plan to put the “Adama/Tigh theme” in your next CD ? What’s its name? where can I find it otherwise? I found it rich and moving.”

    I call it the Military Theme. And I was corrected in a recent entry that it actually IS on one of the albums. Season 1’s “Battle on the Asteroid.” However, I used it a lot in the finale and it will, without a doubt, be featured prominently on the BG4 CD.

    CatsOnMars… ” I was watching “Sometimes a Great Notion” and listening to the part of the cue when Starbuck takes her dog tags from the body (which a lot of people were confusing for the Temple of Five theme) and realized why it sounds familiar even though it’s definitely not that theme. Am I crazy or is it really similar to the gamelan melody playing in the background of the version of “Gaeta’s Lament” from the end of “Guess What’s Coming”?”

    Actually, the scene when Starbuck takes the dogtags from her body IS the Temple of Five Theme, very delibarately. This theme was also used throughout “Maelstrom.” The confusion was about a later shot, towards the episode’s end, where we had a close up of the dog tags in her hand. There, the gamelan was playing a simple pattern that was not thematically related to anything in the series. However, both that riff and the To5 theme are musically similar to the accompaniment of Gaeta’s Lament, so I can totally see how you would hear that. You’re listening very closely!

    So Say We All!
    -Bear

    Hi Bear and Happy 30th birthday!!

    Congratulations on finishing the last cue of the show…. This must be bittersweet for you.
    It’s really awesome that you will be scoring “Caprica” as well. Can’t wait to hear what you will do with the musical “vibe” on this show. Less drums, I assume?

    This seems to be a really big year for you, between the end of BSG, Caprica, the “Prelude to War” concert in Hagen (where I will definitely be for the premiere! Hagen is only a 4 hours drive from where I live in France. Hope you’ll have time in your busy schedule to attend as well!).

    Are you considering a full BSG concert (at least 2 hours!) for the future, with orchestra and everything? It would be fantastic to have it play in the Vancouver Orpheum theatre (the “Opera House” from the show).

    PS: The season 4 soundtrack better be 2 CD!

    I just want to say that the “new old” prologue is fantastic. It has to be on the soundtrack but to be honest, every second of your music belongs onto a CD.

    BSG was the first TV show that *really* had a soundtrack. Before – at least it seemed so – there were only variations of the theme music and random meaningless background tunes.

    Wow Bear you are working way too hard on your birthday, both in the studio and on the blog!

    Bear said…”Today, I’m also recording a very special piece for the soundtrack album that involves a certain cast member who lost a leg. :)”

    Great news! So it sounds like we can definitely look forward to a vocal version on the soundtrack!

    Bear said…”Also, it seems everybody loved the new prologue. That was a lot of fun to do. I wish we had made different prologues more often.”

    Yea me too, but it was great to have this one! It’s amazing how similar it is to the original prologue music, yet so different and extraordinarily more emotional. I really hope you can squeeze it in the S4 soundtrack, but if not I have no doubts we’ll get it on the bonus/extras release. :)

    [...] glow and the music queued up. Interestingly, BSG musical composer Bear McCreary ditched his usual episode musical analysis because “the unusual amount of fast-paced and essential dialog in these two shows left little [...]

    I have to correct myself since there was a few spelling errors in my last entry. This is how it should go:

    “Concerning the new “Prologue”, it played for 1 min. The original “Prologue” played for 20 secs. The new one seems to give the show makers more time to explain their ideas for the passed episodes and the upcoming ones. I watched the “No Exit” episode numerous times just because of the “Prologue”. It’s just to bad this new version wasn’t featured since the beginning of the season! Still, it ain’t to late to make certain changes.”

    Now, could it be possible to include the song that was featured in season 4 episode 4 “Escape Velocity”, when Chief Tyrol was telling off the Admiral at the bar? That song seemed to show the chief’s state of mind at that moment. It ended with a nice exotic beat!

    [...] relentless, in fact, that Bear McCreary — the show’s talented composer — didn’t do his usual analysis of the show’s musical cues: I’m certain some of you will miss my in-depth musical analysis for these entries. The reality is [...]

    I have to say I am quite in awe of your music my best work seems to flow when I am listening to your creations…thank you for the inspiration.
    Kristen

    I think that your arrangement of the prologue would be the perfect piece to open up the tracklist for this season’s soundtrack. It would be a great way to show how things at the end have reflected how everything began!

    Bear,

    There’s a Ron Moore project I heard about that really interests me, it’s a prequel to John Carpenter’s film “The Thing.”

    Any chance you’ll be involved in that?

    It sounds like it needs a Bernard Herrmann fan.

    P.S.

    Silly me, if I read the other comments before posting I could have figured out that Bear was on board for Caprica. Alas, I don’t read every comment.

    stormking said, “BSG was the first TV show that *really* had a soundtrack. Before – at least it seemed so – there were only variations of the theme music and random meaningless background tunes.”

    That’s a pretty serious statement, considering there were many talents over the years contributing some pretty awesome scoring work in television. Joe Harnell comes to mind (Incredible Hulk).

    Not diminishing Bear’s work in ANY way, by far to date the best we’ve had in this collector’s opinion, but I’m just saying it’s not the first….

    Bear, I would like to know: Will the BSG Season 4 Soundtrack appear 5 to 7 months after the series ends on its SciFi run?

    @fanningp:

    > That’s a pretty serious statement, considering there
    > were many talents over the years contributing some
    > pretty awesome scoring work in television. Joe Harnell
    > comes to mind (Incredible Hulk).

    So? Do you remember any of his music except the theme song and the music that played when Banner had to leave town?

    That’s what I meant. Older tv series had an intro song and sometimes an extra tune for the credits. But everything else was either a variantion of these two pieces or some random meaningless background music. Nothing to remember.

    stormking wrote:
    “Older tv series had an intro song and sometimes an extra tune for the credits. But everything else was either a variantion of these two pieces or some random meaningless background music. Nothing to remember.”

    I remember the Twilight Zone:
    http://www.youtube.com/watch?v=tqPHRbOg9do

    And the Outer Limits:
    http://www.youtube.com/watch?v=COzd1YMat4w
    http://www.youtube.com/watch?v=PLXkGGgqYz8

    and “new” series:
    http://www.youtube.com/watch?v=vpRPAJrOvlU
    http://www.youtube.com/watch?v=OzvZqTdDFu8

    “Joe Harnell
    > comes to mind (Incredible Hulk).

    So? Do you remember any of his music except the theme song and the music that played when Banner had to leave town? … everything else was either a variantion of these two pieces or some random meaningless background music. Nothing to remember.”

    As a matter of fact, yes, I do remember. There was a particular cue for “action” scenes. But it was (essentially, if not exactly) the same in every episode. And there was a “hulking out” cue as well (maybe you’d describe it as a sound effect, but I consider it music – not GREAT music, but music), but it, too, was the same in every ep.

    “The Man From Uncle” had significantly varied music cues – and a new arrangement of the opening theme nearly every season as well. They also employed several composers – Lalo Schifrin, Dave Grusin, (and, if I remember correctly, Jerry Goldsmith), to name but a few. (I could name more if I were to go to the trouble of digging out the soundtrack albums *several* were released – but that would probably take too long right now.)

    With BSG, we may get variations on previous themes, but in a real sense, a new symphony every week.

    - M. \”/

    I’ve been wanting to say this for a while, but I couldn’t figure out a way to say it without it sounding cheezy or otherwise dumb. I’ve put in my time with a music degree and all that, and I only say that in order to say I don’t mean this lightly…

    But Bear is doing more here than scoring a show. This music speaks to me in a way that other composers’ works can’t right now. I don’t just mean for TV or movies. I mean other composers period.

    Usually I’m one to be reasonable and say that music is subjective, no matter what they tell us in theory classes, blah blah blah. But right now, I’m not feeling subjective at all. This music is simply great. Anyone who thinks otherwise needs their ears checked. ;)

    I love BSG, I have to fight urges to keep watching the series from the start. But more than that, the music speaks to me the way music should.

    I dunno, I’m at a loss to describe it. I enjoy Bear’s other work. It always suits the piece he’s writing for, but there’s something that happens when he writes for the Galactica universe.

    No matter what happens in the future, this music stands on its own and will always be great.

    And if Bear came to Finland, there are at least two of us from this blog that would show up. ;)

    [...] – The composer of BSG, instead of posting a score analysis on his blog as usual, interviewed the final five, with interesting results.  Check it out here. [...]

    Happycylon… “Are you considering a full BSG concert (at least 2 hours!) for the future, with orchestra and everything? It would be fantastic to have it play in the Vancouver Orpheum theatre (the “Opera House” from the show).”

    All options are on the table at this point. I think another set of concerts like last year’s (smaller ensemble) will be done before we get to the really big ones. The Orpheum would be so much fun!

    Re: Stromking, fanningp, Norman Doering…

    I appreciate the compliment, but certainly see no reason to exclusively play favorites. There’s been a lot of great music on TV. Speaking of Joe Harnell and the “Incredible Hulk,” I actually studied under him when I was in college, and we really got along well. I was very sorry to learn he passed away a few years ago, but he contributed a lot to the world.

    -Bear

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