

Contrary to completely unfounded rumors of a cancellation, Trauma returns TOMORROW to NBC, and airs every Monday at 9/8c, beginning the completion of our first season!
To celebrate our return, I’ve decided to write a blog entry about my favorite cues I’ve written for the series thus far, including audio snippets.
First up, the Trauma Main Title:
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One of a handful of TV theme songs to ever be in a 7/4 meter, this piece of music summarizes the intense energy of the show and introduces the core ensemble at the heart of the score: a rock and roll rhythm section. In addition to the guitars, bass and drums, there is an added layer of manipulated sound effects, comprising of distorted and cut up ambulance sirens and helicopter rotors. This isn’t just a theme song gimmick, these sounds are a vital part of the unique signature sound of the Trauma score. Read the rest of this entry »






























Dark Void Zero is a prequel story to the events of Dark Void, which comes out tomorrow for X-Box, PS3 and PC. The evolution of my completely 8-bit Dark Void Zero score began last spring, when Capcom announced me as the composer for Dark Void. 
